There are lots of horses all over the place in “The Last Samurai,” and as every actor or actress knows, animals of any kind will make filming a movie more difficult and even dangerous. One poor extra knows this even more than most.
At one point during the middle of the film, Tom Cruise’s character rides his horse into a group of soldiers who are standing at attention. As Cruise dismounts, the horse kicks backward, catching the poor extra right between the legs. Like…RIGHT between the legs. Thanks to the armor he was wearing, he manages to stay in character and props to him.
“The Wizard of Oz”: Plain Black Slippers
There are a number of things that are iconic about “The Wizard of Oz.” One of them is what Dorothy is wearing, from her gingham dress to her twin pigtails to her red slippers. But during one scene, she seems to have left the latter at home.
While the trees are pelting Dorothy and the Scarecrow with apples, it's possible to catch a glimpse of Judy Garland wearing plain black shoes instead of the red flats she's supposed to have. Whether it was because of the introduction of color or just lax filmmaking standards compared to now, it happened.
“Spider-Man: Far From Home”: No Buses Allowed
In the second Spider-Man movie that is part of the Marvel Cinematic Universe, Peter Parker and the other students from New York travel across the pond to Venice for a trip, which gets Parker involved in another superhero story. At the end of the story, after everything – or most things – have been resolved, Parker and the rest of the students pile onto a bus to head to the airport.
The only problem is, buses, and really any motor vehicles, aren't allowed in Venice. Due to the weight of the city sinking into the soft mud it was built on, some things had to stay away.
“American Sniper”: That New Baby Smell
“American Sniper,” starring Bradley Cooper as an Iraq War veteran who has problems adjusting to civilian life again, is said by many to be a very accurate portrayal of the difficulties some soldiers can have when returning home. One aspect, however, wasn't so realistic.
Cooper very clearly picks up and cradles a plastic baby. Meaning... no one who was watching the film and has ever seen a baby thought for a moment that it was anything other than a fake, plastic baby. Cooper himself even laughed about it later on, during an interview with Ellen Degeneres: “I couldn't believe that we were working with a plastic baby...I was just like, this is nuts.”
“Terminator 3: Rise of the Machines”: I Think Those Numbers Changed
While running for their lives and trying to stop the machines from taking over, John Connor and the rest of the cast have to take to the sky to try and stay one step ahead of the machines.
When they approach the plane on the ground, the plane's call number is clearly – as you can see from the picture – N3035C. However, once they're in the air, the plane's numbers change to N3413F. The reason for this is almost certainly difficulties with filming and renting planes, especially while flying.