Despite the bumpy start with the studio, ‘The Sundance Kid’ was the role Robert Redford was made to play. “When I read it, I thought, ‘This is perfect for me,’” Redford informed the Salt Lake City Tribune. He told them, looking back at the film 50 years later, he always related to the “outlaw sensibility,” ever since he was a kid. The studio, on the other hand, wanted him to play Butch in the 1969 Oscar-winning film ‘Butch Cassidy’ and the ‘Sundance Kid’.
“The studio did not want me,” Redford explained, “and they tried everything to keep me out of the film.” But Paul Newman and writer William Goldman stood up to the studio until they kept him in. Paul Newman basically said he would only be in the movie if Redford played The Kid. Redford responded, “I never forgot that.” The two remained friends and developed a very close, decades-long bond since that shoot. In the end, The Academy passed Redford by, he missed a Golden Globe nomination, but the ‘Sundance Kid’ was granted a BAFTA from across the pond.
Too Blonde to be Michael Corleone
Redford’s performance as the Sundance Kid locked him in as a good-looking, intelligent actor with an edge. Studios desired him, whether or not he fit the part. Paramount execs insisted someone like Robert Redford play 'The Godfather's Michael Corleone, but the notoriously stubborn director, Francis Ford Coppola, would not have it. He tenaciously stood by his choice—Al Pacino. It was a bitter fight. Pacino recalled, “The studio didn’t want me after they hired me.” (They said he was too short to play Corleone.)
When Paramount studio executives made clear to Coppola their choice to cast Redford, Coppola dismissed it saying he could not picture a blonde Sicilian. He preferred an unknown actor who looked Italian-American to play the heir-apparent to the Godfather’s throne. Others considered for the role by the studio for the 1972 movie were Warren Beatty, Jack Nicholson, and Martin Sheen. The rest is history.
Too Attractive to Ravish an Actress
Robert Redford debuted in a spy role in the conspiracy thriller 'Three Days of Condor'. But he had to sit one of the parts out. It wasn’t a stunt scene—as the athletic actor is always proud to mention he does most of his own stunts—it was a violent scene that was too much for Redford to handle. Actress Faye Dunaway, who starred opposite, playing a kidnap victim, later wrote in her memoir that the idea of being kidnapped and violated by Robert Redford was not at all terrifying.
To achieve an authentic-looking take, director Sydney Pollack took charge, furtively stepping in as the spy, and with cameras rolling, Dunaway recalls the fear. “He scared the hell out of me.” Dunaway said, during the take, the director lunged at her shouting, ‘I AM GOING TO GET YOU.’ She recalls, that he kept moving closer, “his eyes glaring at me as he went on detailing all the horrible things he was going to do to me, and let me tell you, Sydney has an inventive mind. He is also a great actor.” She called him relentless.
Redford’s Masterpiece
Reuniting with Paul Newman, Redford starred in 'The Sting', the top-grossing film of 1974 and the magnum opus of Redford’s career, earning him an Oscar nomination. Playing a two-bit swindler, he teamed up with revered con man Henry Gondorff (Newman). Redford, as Johnny Hooker, does his part to set the silver screen ablaze in this revenge crime caper set in 1936. The movie was beyond popular in the seventies, identified by a brilliantly catchy ragtime soundtrack.
Prior to its many accolades and being preserved by the Library of Congress, Redford was concerned about his part and felt that his character may be running around so much that there would be little acting involved. For his consternation, he was awarded a “Looney Tunes” Road Runner sculpture as a gag gift when filming wrapped up. And, fun fact, despite the great success, ironically, Redford did not view the film until 2004. He went to see it with his grandson during Christmastime at a movie theater in Utah.
Another Box Office Smash Hit
'The Way We Were' is one of Redford’s political movies, but it showcased his comedic side. Sydney Pollack’s romantic drama, taking place during the investigations by the 'House Un-American Activities Committee', portrayed Redford’s character as complicit with the Republicans’ corrupt witch hunt. His complicity drives a wedge into his marriage. The film premiered on October 16, 1973, two years before the committee was abolished.
The movie, based on the novel and screenplay by Arthur Laurents, costarred Barbara Streisand. The diva contributed a song to the soundtrack, which, of course, saturated the airwaves. Her immense draw as a performer, combined with Redford’s appeal—who played her love interest—helped make Pollack’s six-time Oscar-nominated work an amazing success at the box office. 'The Way We Were' grossed $50 million.